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Tuesday, February 26, 2019

‘Mirror’ & double-layered poem Essay

Mirror is a double-layered poem The mirror, personified and equipped with senses, perks and depicts its mankind in the most honest terms then we see our aver world from the mirrors perspectivehow raw and tormenting it is. Why the rootage chooses to personify a mirror as the poems teller is firstly beca pulmonary tuberculosis it is an object most closely associated with a cleaning woman who seeks to see what she really is (11). When she is young, the mirror cheerfully reflects and praises her youthful violator, letting her contemplate on her own appearance.When she is older, it cruelly reminds her of times meddling in her melt beauty and how life has passed and left her behind. Secondly, the mirror reflects the world just as it isit cannot lie to usand faithfully shows us all signs of aging, sorrow, pain and nausea that appear in our face. The theme of the poem is the effects of time reflected in the mirror, how it has drowned a young girl and makes a woman become an old wom an. Adverbs depicting the motion of time atomic number 18 employed throughout the poem most of the time (6), so long (7), all over and over (9), Now (10), Each morning (16), day after day (18).The badinage is deliberated in the difference between the mirrors reflection and perception of changes in the outside world. The woman who looks at the mirror is sad because her beauty and youthfulness are fading while her tears and agitation are considered rewards by the mirror. In the first stanza, the mirror simply tries to define its human beings and introduce the reader to its world using its own language register. In the opening line, the mirror describes its appearance and unique quality, I am ash gray and exact. I have no preconception. (1).The word sw cede demonstrates Plaths sensitivities and fun in her personification and imagery everything is instantly reflected inside the mirror as if the mirror has devoured them. Next, mirror immediately explains its non-discriminatory beh aviours as being truthful or else than cruel. In the last four lines of stanza 1, the mirror honestly describes its bounded world. Ironically, change surface though the mirror reflects everything truthfully and exactly with no preconceptions or prejudice, it seems to alive(p) in self-created phantasms, that the opposite wall is a part of my heart. margin 8 presents the mirror with human characteristics, not the eye of a small-scale god, four-cornered as it describes itself. Nevertheless, its world constantly collides with the world outside itour world it flickers. //Faces and phantasma separate us over and over. In the first stanza, the use of caesura in most of the sentences interrupts the flow of the poem but gives the mirror its own tad emphatic and meditative. The enjambment between line 2 and 3 as well as between line 7 and 8 allow the mirror to reflect on itself naturally and coherently.In stanza 2, the mirror ironically creates another illusion, Now I am a lake (10), w hich is in crinkle with its claim to be only truthful. It steeply demonstrates its usefulness in helping a woman to see what she really is. The images of the candles and moon (12) whitethorn symbolize fragility, inconstancy and instability which contrast with how faithfully it serves the woman (13). The contact between the mirror and the woman strengthens by day it is important to her and she brightens its existence. Nevertheless, its unintentional cruelty is shown in its being only truthful (4).The simile worry a terrible fish is consistent with the mirrors illusion that it is a lake but it shows Plaths grotesque and tormenting view of agingas a destructive and dehumanizing process. The poem is structured as narrative prose poetry, with the use of caesura to create an emphatic tone, to present the mirror as a misunderstood, proud and honest object. The mirror exactly and dutifully reflects what appears before it and considers the changes shown in it others doing and all in all out of its power she drowned a young girl, and in me an old woman//Rises toward her day after day (17-18).

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