Hip-Hop’s Betrayal of Black Women Essay

According to Jennifer Mclune, a writer, activist, and librarian, sexism, and homophobia bang up rap music culture and any deviation from these forms of bigotry is made fringy to its most dominant and lucrative expressions. In her article Hip record hop betrayal of black wo work force Published on first of July 2006, Mclune is informing and difficult to persuade her audience of this generation of teenagers and young adults, also seen as millennials, that knock crys that have these elements of woman-hating, sexism, and homophobia, are basically a normal thing and it should not be because it causes an influence and makes the actions seem like its okay to practice rather than seeing it as something offensive. She claims that Hip-hop owes its success to the ideology of woman-hating By this, she means that it creates, perpetuates, and reaps the re fightds of objectification. I strongly agree with Mclune she feels that the hip-hop world has betting women and it became the norm so pe ople became blinded so, now its judgment of conviction to fight back. To help support my claim, Mclune uses real-life evidence/examples much(prenominal) as song lyrics, another article corroborateardized to her topic, and language.First off Mclune starts off addressing Kevin Powells notes of hip-hop heads and he states how poverty breeds into sexism and that hip-hop is saturated with the past and homophobia. Mclune feels that thats a way to silence the feminist critiques of the culture. Mclune also states how Powell forgets to mention the particular that women too were raised in the violent and poor environments as men too. Basically, it shouldnt excuse the fact that men are degrading women finished the hip-hop culture. When we as black females need to stand up and shape up knowledge on how the hip-hop world participates in women-hating. You have men writing songs about black women pain, barely have rappers such as jay-z who has lyrics such as I pimp hard on a trick.In part icularly this article written by Sharpley Whiting called securer Up, Hos Down Whiting argues that hip hops commercial success is heavily dependent upon young black women. Creating both, this virile and misogynistic gap in understanding the real complexities of young black women in hip hops commercial art. The color prejudice and sexually charged lyrics in a dominated culture, hip-hop. Whiting also states how the millenary generation has grown into the wake of the hip-hop culture, blinded by their unconscious participation, they fail to connect the destruction of feminism in hip-hop, this statement is similar to what Mclune has been saying throughout her article. It is not hip hop itself that has made the singularity of its own culture, but it is hip-hop itself that normalizes it.Its very understandable that the hip-hop world bases their lyrics on real-life situations but the things that are said about such as gold diggers, chicken heads about women shouldnt be motioned because it doesnt do anything but make those situations become the norm. In an article written by Dr. Johnnetta Cole argues in her article that there is a war between the sexes. Also, that hip-hop plays a significant influence on is appointment that has been going on since the 60s. We as black women need to stand our ground for something that we believe in, which is treating us with respect and not degrading us in hip hops music. The sense of impudence toward the woman is creation noticed by boys and girls at an early age. Therefore, to them it seems that what is being said and exhibit in videos is okay. The ruthless and tyrannical gender talk in straight offs hip-hop music must be put to rest, but to do that we must change the way we put out our message. lecture can be very motivating and inspiring, but you cant influence someone by humiliating others.